October 2020

I started cave diving in Italy in 1990. At that time, the rules were very clear, codified and related to the kind of caves that were encountered in my region. Very often, they were resurgences with current (sometimes strong) or sumps inside caves, with water ranging from crystal clear to the color of coffee and variable visibility, depending on the rains.

As many divers face travel restrictions during the coronavirus pandemic, our contributors highlight the often overlooked or unsung yet intriguing diving that can be found in one's own backyard.

Outside my window, the South Atlantic lay unbroken—an azure expanse of ocean below and sky above. Three hours after passing the Namibian coast, a lone patch of clouds appeared on the horizon. As we approached, I could just discern patches of green peering through. Atop a narrow ridge, a tiny strip of runway appeared, the sheer drops at each end plummeting to the sea.

Adobe Photoshop is the number one tool for image editing and provides a large number of editing tools and options—far too many of them actually. But the good news here is that, for editing our underwater images, we only need a few.

In Part I of this two-part series (see issue 100), I made a correlation between scuba diving and driving a car, particularly in the context of learning how to anticipate and assess dangerous situations, make well-informed sensible decisions and stay safe—things that motorists tend to group together under the catch-all phrase of defensive driving.

Japan’s diving scene used to be a well-kept secret, but more and more people have realised that Japan has much more to offer than just sushi and karaoke. The country spans a vast latitudinal range, from the tropical south where coral reefs dominate around Okinawa and the other Ryukyu Islands, into the almost subarctic north. As a result, its biological diversity is great, with many different habitats accommodating a wide array of species.

In light of the COVID-19 pandemic, the dates of the Malaysia International Dive Expo (MIDE) have been changed to 4 – 6 December 2020. As a result, the final submission date for the Lens Beyond Ocean (LBO) international photo competition, which is hosted by MIDE, has been extended to 1 November 2020.