Photo & Video

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Framing in Underwater Photography: Contributors' Picks

Photo by Kate Jonker: Using the light of a snoot to frame a subject against a black background. Horned blenny, Blousteen, Gordon’s Bay, South Africa. Gear: Canon R5 camera, Canon 100mm macro lens, Marelux MX-R5 housing, Inon Z-240 strobe, Marelux SOFT Pro snoot. Exposure: ISO 320, f/20, 1/200s.

What does a “frame within a frame” look like in underwater photography? We asked our contributors to share their favorite photos that use “framing” to draw attention to the subject in the image, and they came back with a range of macro to wide-angle shots, featuring a variety of marine life, as well as divers, in wrecks and on reefs. 

Generative Fill in Underwater Photographs

Original photo superimposed over Generative Fill created in Photoshop

Artificial intelligence has been in the news lately, especially generative AI. It seems like every industry is trying to put this technology into their products, including image-processing apps. Michael Rothschild takes a closer look and gives examples in underwater photography.

Triptychs: Contributors' Picks

Great White Triptych, by Gary Rose. This photo was taken in Guadalupe Island, Mexico, and printed on white aluminum panels. Gear: Nikon D500 camera, Tokina 10-17mm lens at 17mm, Nauticam housing, Inon Z330 strobes. Exposure: ISO 320, f/11, 1/125s

We asked our contributors to create an underwater “triptych,” and they returned with an artistic range of color, black-and-white and toned compilations, from abstract close-ups to wide-angle shots, featuring a variety of marine life, large and small, as well as divers, on reefs and wrecks, and in open water, lakes, and even an aquarium.

SUPE D-Pro Strobe Review

The vibrant reefs of Steenbras Deep
The vibrant reefs of Steenbras Deep, Gordon’s Bay, South Africa. Gear: Canon R5 camera, Canon 8-15mm circular fisheye lens, Marelux housing, two SUPE D-Pro strobes. Settings: f/7.1, 1/125, ISO 500. Photo by Kate Jonker.

Want to know more about the SUPE D-Pro strobe from Scubalamp? Kate Jonker put it through its paces and offers insights from several photographers who have used this strobe in underwater photography.

Announcing the 24th Annual SDUFEX Undersea Film Festival

The 2023 San Diego UnderSea Film Festival will be held Friday, October 6 and Saturday, October 7 at the Irwin M Jacobs Qualcomm Hall. Join us for a wonderful evening featuring some of the best underwater short films from around the world.

There will be a unique program each evening and tickets are available now at SDUFEX.com.

If you are unable to join us in person, tickets will be available to watch our virtual film festival October 9-31.

Variations on the Theme of Opposites: Contributors' Picks

Photo by Anita George-Ares: Moray eels, Maldives. Gear: Canon EOS Rebel SL1 camera, Canon EF-S 18-55mm f/3.5-5.6 IS STM lens (at 26mm), Ikelite housing, two Ikelite DS161 strobes. Exposure: ISO 200, f/8, 1/160s

We asked our contributors to share their favorite underwater images showing variations on the theme of “Opposites,” and they came back with a diverse range of color and black-and-white photos featuring marine life from large whales to tiny nudibranchs and fellow divers on reefs and wrecks, in caverns and cenotes as well as open waters.