Diving with Dinosaurs -- Nile Crocs of Botswana with Amos Nachoum; South Africa safari to Aliwal Shoal and Protea Banks; Alaska Adventure from Juneau to Sitka; Diving in the Jungle -- Samar, Philippines; South Pacific Adventure to St. Helena and Ascension; Sidemount Workshop; Crustaceans: Gladiators of the Sea; Shark attack myths, with Andy Murch; Gary Gentile interview; Close Up and Macro Photography, with Lawson Wood; Anemones and coral bleaching; Plus news and discoveries, equipment and training news, books and media, underwater photo and video equipment, turtle news, shark tales, whale tales and much more...
Main features in this issue include:
A dive trip to the U.S. State of Alaska is a true adventure, both above and below the surface. The rich green waters of the Pacific Northwest are full of life and photographic opportunities. The liveaboard dive boat, Nautilus Swell, is a great way to experience Southeast Alaska.
Before embarking on the Nautilus Swell, there was a chance to spend a few days in Juneau. This town started as a gold-mining camp in 1880. When Alaska became the 49th state of the United States in 1959, Juneau became the capital.
Lying undisturbed in the deep water just off the fringing reef from the remote village of Boga Boga on the tip of Cape Vogel, is what many consider to be the best aircraft wreck in Papua New Guinea and possibly the world.
The wreck is the B-17F “Black Jack”, serial number 41-24521, and one of the first Flying Fortress bombers built at the Boeing factory in Seattle during WWII.
Close-up or macro photography is a specialized form of underwater photography where the camera lens is positioned very close to a subject, or is able to zoom into the subject, to record a relatively large image in high magnification of the original subject.
What I learned very quickly, all those years ago, was that by concentrating on close-up and macro photography, you soon picked up the nuances of composition—and the smaller the subject, the more concentrated the field of view and more concentrated the compositional techniques required to frame th
My guide and I saw the croc on the surface, basking in the sun, laying on the papyrus grass. It was a Nile crocodile about five meters long and agitated by our invasion of its space. It moved lethargically and got into the water. We followed it, as it swam against the current.
Richard saw the large croc rushing toward him. He raised his Hawaiian spear to defend himself. The croc pushed against the spear, pinning Richard against the river bed. The spear was bending, and sand was rising. The croc and Richard were swinging from left to right.
When I started scuba diving, I became aware of the limitations of an injured body. Every time I carried a scuba tank, the acute pain in my lower back and shoulders increased, and it took a long time for the pain to go away. I did not want to give up scuba diving, so I looked for a solution and found one—diving sidemount.
The best time of my life was when I competed in track and field as a teenager, in college and as a young adult. I continue to engage in sports today, including cross-country skiing, snowboarding, table tennis, basketball and many other sports.